Geena Davis and her former husband, director Renny Harlin, attempted to pick up the pieces after the debacle of their box-office disaster, Cutthroat Island. What they came up with was The Long Kiss Goodnight, a repulsive ode to American film noir, based on a script by Shane Black (Lethal Weapon) about an amnesiac schoolteacher (Davis) who searches for her true identity and finds she is actually a secret agent immersed in a deadly plot to topple the government. Mechanistic in its violence, obnoxious in its attitude, the film makes Davis, a once-promising actress, nothing more than a special effect. She tosses one to sadists in the audience by allowing her character to be beaten, punched unconscious and tortured. --Tom Keogh

Geena Davis and her former husband, director Renny Harlin, attempted to pick up the pieces after the debacle of their box-office disaster, Cutthroat Island. What they came up with was this repulsive ode to American Film Noir, based on a script by Shane Black (Lethal Weapon) about an amnesiac schoolteacher (Davis) who searches for her true identity and finds she is actually a secret agent immersed in a deadly plot to topple the government. Mechanistic in its violence, obnoxious in its attitude, the film makes Davis, a once-promising actress, nothing more than a special effect. She tosses one to sadists in the audience by allowing her character to be beaten, punched unconscious, and tortured. --Tom Keogh